Initially drawn to the romance and nostalgia of photobooths, Victoria's main drive is to to prevent the extinction or at least bring awareness to the chemical or analog photobooth. In addition to photobooth art, she sporadically worked for an analog photobooth company to better learn the mechanics of the booths.
With a photobooth you can't set up a tripod or even look through a lens, all placements are based off former photobooth shots or just pure guessing. Though she appreciates and even envys very manual photographers, she rarely shoots that way with a camera and that helps translate into a near total lack of control in the photobooth. No apertures, no shutter or film speeds, no dodging or burning, pushing or pulling...just a photo that you take for how it is and work around it, instead of manipulating it to work for you.